•Why this piece is worthy of consideration:
- I really like that this piece is written in Swahili and Amharic instead of English because it exposes the choir to world music and different languages. I also love the optional percussion element because I could bring in band students and involve more students in the concert. It also gives this piece a unique sound that I think students would like and get into, especially when the ensemble begins clapping and adding body percussion.
•The ensemble for which the piece will be appropriate:
- I think this would be for a high school ensemble. The parts are in 3rds and have a lot of parallel motion, which would make it harder for a beginning choir in middle school. There is also some independence in the parts in between the chorus, so I think this would be good for an intermediate male ensemble.
•Discuss range/tessitura and how the piece works for singers:
- Tenor: low E - F, some of the lower notes may be too low, but there are alternate notes written above them for singers who can't sing that low.
- Baritone: E to D, this range is problematic for changing voices, so this should be sing with voices that have already changed.
- Bass: low C to B, again, this is a larger ranges (over an octave) so it might be better for a HS choir.
- Baritone: E to D, this range is problematic for changing voices, so this should be sing with voices that have already changed.
- Bass: low C to B, again, this is a larger ranges (over an octave) so it might be better for a HS choir.
•What musical ideas can be taught:
- accents, solo/independent parts, body percussion, syncopated rhythms
•What about the text is worthy of singing:
- The text translates to "No matter where we are from, we can all celebrate who we are."I think this is a great message, especially for a school with a diverse student body.
•What, if any, material should be adapted/re-written:
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